![]() ![]() ![]() Both use sound, though Rocky communicates with chords and whistles. They link their ships and figure out the pure mechanics of communication. Our two intrepid interstellar explorers find each other in the void and start cooperating. I can even understand him without having to look at the translation about a third of the time now.įurther Reading Stuck on Mars with nothing but disco: Ars talks with The Martian’s Andy WeirThe acquisition of a wholly alien language is treated like a math problem-a series of steps that, if completed in the right order, guarantees comprehension. After a week of honing our language skills, Rocky and I are ready to start having real conversations. Indeed, Grace quickly builds a workable level of rapport with his alien counterpart: But PHM is like The Martian in that it's about solving problems realistically. From my nerd basement throne, it feels like the softer sciences of linguistics and anthropology (or perhaps xenolinguistics and xenoanthropology) don't get the same stage time as their more STEM-y counterparts like physics and relativity. I get it- that's how storytelling works. I don't want to sound like a bitter basement-dwelling critic throwing shade at a bestselling science fiction author. To wit: Rocky and Grace can communicate well with each other because it serves the story, and if they couldn't, the book would be shorter and less interesting. PHM's otherwise solid commitment to science leans a bit here on what we might call the "anthropic principle of science fiction," after the more well-known general anthropic principle. ![]() (Ars Technica may earn compensation for sales from links on this post through affiliate programs.)īut the relative ease with which Grace and Rocky understand each other got me thinking about the real-world issues that might arise when two beings from vastly different evolutionary backgrounds try to communicate. ![]()
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